Jim Reed   Notes from the Studio


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4-13-09
I began my sculpture class at the house of former art teacher, Bert Keeney. He taught when I went to college at PSU in the 70's. Although he passed away a few years ago, his house studio now provides a comfortable functional space to work with clay and build sculpture, thanks to the efforts of his children and local artist, Fred Closs.
I think about Bert, his intentions, his dream of a functioning place of creativity as I build clay form there, connecting sections and building each cylinder up, building tubes, bending the tube section much like a stove elbow pipe with several leaf shaped strips of metal.
Relativeness is expressed on many relationship levels in the sculpture piece, Space between the two trunks as they pulled away but turned back to the center between them where they would connect and turn again, I have been careful to get the stem sections connected back in the center. Its a process of listening to the clay to hear or feel when it is ready and rigid enough to hold some more wet shaped weight. Its a lot of fun when it works for you and reclaimable when it doesn't work, when it fails.
Working on scupture again in Bert's basement has made me think alot of the artist Bert Keeney, and his intentions for his studio, An outstanding feature is the fireplace. It makes a comfortable, warm working environment on cold days. I have added a coffee pot and a CD player. I am now working there during the weekends, My worktime does vary but I seem to be regular enough with my drying time and forming times with the clay.   ~ Jim

2-09-08
I've been experimenting with different glazes painted onto commercial ceramic tiles. I've been using 12" X 12" ceramic tiles to create murals of different sizes. The one I'm working on right now is going to be 4' X 8'. The big mural hanging on the front of Gallery 311 in Fort Scott, Kansas, is 15' wide and 5' tall.

~ Jim